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In the following interview, Ilana Glazer shared her thoughts on the matter. As such, I understand why artists can be difficult. We often create to heal our wounds, and for some, those wounds remain open. The ups-and-downs of this business can pick at those wounds, or even rub salt in them.

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Here I am after getting cross-outs on one of my scripts. Like, the best parts were literally crossed out. In every business, internships and jobs come by way of referral, and this holds true for film and television. How do I get an agent? I realize, however, how frustrating it is to hear that.

New York in was rather lonely in some respects, as there was no social media to facilitate friendships, and no quad to meet other kids. A volleyball player from high school asked me to join his sports fraternity, and seeing that I was being bullied a bit by a group of Indian kids!

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Many writers believe talent alone will carry them through, and they grow understandably frustrated when marginal talents take off. We were all in the same frat, so maybe Mr. Wolf thought he could handle contrasting personalities. People adore Ms. I made a poor decision that turned out well for me, but I was 18 and foolish. They wasted too many years worrying and wondering, when all the signs were right in front of them. And it bears repeating: To make it as a writer, people have to want to spend time with your writing, and they have to want to spend time with you.

Everything good in my life -- writing-wise -- is a direct result of either asking people for help, or asking to help them. Based on the lesson learned, I now try to seek help or advice from people who are older than me, but also from people who are younger than me. Sure, the odds are in your favor that some will say yes, but don't do that.

Instead, keep in mind the following advice Terry Rossio picked up from his message board. It comes from a man named Tom Scott:. They want to see if you can help them. You have to be a train streaming down the tracks with room on board, instead of a stranger asking for a ride. No easy task, but that's why I trust it.

I would never ask someone to write with me unless I had something big brewing. So use your judgment, but fortune favors the bold.

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The good news is, I notice that the more successful a filmmaker is, the more likely they are to respond positively to my letter. Part of it is because I usually bring something to the table. Another part of it is that successful people are generous, and generous people are successful. No one's ever obligated to like our work.


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Also, save some bullets. Submitting a new draft was a non-starter, so the script was better, but I was fresh out of bullets. Work on your script a little longer.


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  • In the meantime, offer to help someone. Some of the smartest people in the world want to be writers in Hollywood. Some of the most talented, fortunate, and successful people are working toward the dream. Athletes, models, Vanderbilts, and Kennedys -- even the elites would love to be filmmakers.

    Actually, some of them already are. James Vanderbilt and Rory Kennedy do fine work. Who do they want to hang out with? A Vanderbilt or a Kennedy, or a Neeraj Katyal? Your ability will improve as you age. After all, I didn't add those baseball videos simply to illustrate a point about consultants and their questionable utility. This is a picture of me during the peak awfulness of my Indian-American experience.

    Right before this picture was taken, one of my teammates made a wisecrack about, well, Iran. You can see the anguish in my face, as i t was the first time anyone used a country other than India to dehum anize me. I never once made contact with the ball. I know how maddening it is to hear this, but you have to keep writing. Look at musicians. But the fact of the matter is, a musician like George Michael laid eggs more often than he spun gold, even when producing his best work.

    There are violins, snare drums, and cymbals; violas, trumpets, and tubas. But you have to keep writing, because we all lay eggs. There are several reasons why writers should share their work with me. Here are five of them:. PDFs of my scripts online. Because by putting our work out there to be judged, we open ourselves up to criticism, misinterpretation, and ridicule. When you get a landscaping flyer in the mail, there are pictures of lawns for you to consider. Judging a script is both easy and hard, and even experienced evaluators can make mistakes.

    Nothing good can come of it. Edit: This has changed via a producer's advice.


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    • He said that I shouldn't share my work, but if you want to take a look, I'd be more than happy to share the scripts with you. On the other hand I started writing my first script just after turning 18, and finished writing my last script just before turning As they should. It literally pains me to show five of the eight scripts to anyone , but in general, I have confidence in myself.

      The goal is to turn a hundred pieces of paper into a fluid, ever-changing blueprint, sure, but that blueprint doubles as valuable intellectual property. I think a script is a work of art. Okay, it may not be art in and of itself, but it's the special sauce that leads to a work of art. And if this is actual art in a prestigious museum, all bets are off:. This isn't art, it's a mattress, and it's the worst thing in the world. My scripts are a click away.

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      I love to read, I love to write, and I'll treat your script with respect.