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Nightlife is, of course, a key player in Vancouver's rich and prolific pride. Country Western Dancing. Weekdays Between 6pm-9pm. There's a drag show on Sundays. Some would argue that Washington, D. JG The best classes I have ever taken, the professionalism is just Great! It was a refreshingly different role for Davis as she played a kind, sympathetic character. William Wyler directed Davis for the third time in Lillian Hellman 's The Little Foxes , but they clashed over the character of Regina Giddens, a role originally played on Broadway by Tallulah Bankhead Davis had portrayed in film a role initiated by Bankhead on the stage once before— in Dark Victory.
Wyler encouraged Davis to emulate Bankhead's interpretation of the role, but Davis wanted to make the role her own. She received another Academy Award nomination for her performance, and never worked with Wyler again. Following the attack on Pearl Harbor , Davis spent the early months of selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her "bitch" performances. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel , which included Lena Horne and Ethel Waters.
Hollywood's most important stars volunteered to entertain servicemen. Davis ensured that every night, a few important "names" would be there for the visiting soldiers to meet. She appeared as herself in the film Hollywood Canteen , which used the canteen as the setting for a fictional story. Davis later commented: "There are few accomplishments in my life that I am sincerely proud of.
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The Hollywood Canteen is one of them. Davis showed little interest in the film Now, Voyager , until Hal Wallis advised her that female audiences needed romantic dramas to distract them from the reality of their lives. It became one of the better known of her "women's pictures". In one of the film's most imitated scenes, Paul Henreid lights two cigarettes as he stares into Davis' eyes, and passes one to her. Film reviewers complimented Davis on her performance, the National Board of Review commenting that she gave the film "a dignity not fully warranted by the script".
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During the early s, several of Davis' film choices were influenced by the war, such as Watch on the Rhine , by Lillian Hellman, and Thank Your Lucky Stars , a lighthearted all-star musical cavalcade, with each of the featured stars donating their fees to the Hollywood Canteen. Davis performed a novelty song, "They're Either Too Young or Too Old", which became a hit record after the film's release. Old Acquaintance reunited her with Miriam Hopkins in a story of two old friends who deal with the tensions created when one of them becomes a successful novelist.
Davis felt that Hopkins tried to upstage her throughout the film.
Director Vincent Sherman recalled the intense competition and animosity between the two actresses, and Davis often joked that she held back nothing in a scene in which she was required to shake Hopkins in a fit of anger. In August , Davis' husband Arthur Farnsworth collapsed while walking along a Hollywood street, and died two days later. An autopsy revealed that his fall had been caused by a skull fracture he had suffered two weeks earlier.
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Davis testified before an inquest that she knew of no event that might have caused the injury. A finding of accidental death was reached. Highly distraught, Davis attempted to withdraw from her next film Mr. Skeffington , but Jack Warner, who had halted production following Farnsworth's death, convinced her to continue. Although she had gained a reputation for being forthright and demanding, her behavior during filming of Mr. Skeffington was erratic and out of character. She alienated Vincent Sherman by refusing to film certain scenes and insisting that some sets be rebuilt. She improvised dialogue, causing confusion among other actors, and infuriated the writer Julius Epstein , who was called upon to rewrite scenes at her whim.
Davis later explained her actions with the observation "When I was most unhappy, I lashed out rather than whined. In , Davis married artist William Grant Sherry, her third husband, who also worked as a masseur. She had been drawn to him because he claimed he had never heard of her and was, therefore, not intimidated by her. The part had been played in the theatre by Ethel Barrymore who was 61 at the play's premiere , but Warner Bros.
Davis disagreed, and insisted on playing the part as written, and wore a gray wig and padding under her clothes, to create a dowdy appearance. Arnot Robertson observed:. Only Bette Davis She concluded that "the subtle interpretation she insisted on giving" kept the focus on the teacher's "sheer joy in imparting knowledge". Treasury named Davis as the highest-paid woman in the country, [68] with her share of the film's profit accounting for most of her earnings.
Her next film was Deception , the first of her films to lose money. Possessed had been tailor-made for Davis, [70] and was to have been her next project after Deception. However, she was pregnant and went on maternity leave. As she continued making films, however, her relationship with her daughter B. When informed that the film was to be shot in Africa, Davis refused the part, telling Jack Warner "If you can't shoot the picture in a boat on the back lot, then I'm not interested. Originally intended to pair Davis with Joan Crawford, Davis made it clear that she would not appear in any "dyke movie".
In , Davis was cast in the melodrama Winter Meeting. Although she initially was enthusiastic, she soon learned that Warner had arranged for "softer" lighting to be used to disguise her age.
She recalled that she had seen the same lighting technique "on the sets of Ruth Chatterton and Kay Francis, and I knew what they meant". She disagreed with changes made to the script because of censorship restrictions, and found that many of the aspects of the role that initially appealed to her had been cut. The film was described by Bosley Crowther as "interminable", and he noted that "of all the miserable dilemmas in which Miss Davis has been involved Despite the lackluster box-office receipts from her more recent films, in , she negotiated a four-film contract with Warner Bros.
Davis reportedly loathed the script, and begged Warner to recast the role, but he refused.
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After the film was completed, her request to be released from her contract was honored. The reviews of the film were scathing. Dorothy Manners, writing for the Los Angeles Examiner , described the film as "an unfortunate finale to her brilliant career". Shortly before filming was completed, producer Darryl F. Davis read the script, described it as the best she ever read, and accepted the role.
Within days, she joined the cast in San Francisco to begin filming. During production, she established what became a lifelong friendship with her co-star Anne Baxter and a romantic relationship with her leading man Gary Merrill , which led to marriage. The film's director Joseph L. Mankiewicz later remarked: "Bette was letter perfect.
She was syllable-perfect.
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The director's dream: the prepared actress. Critics responded positively to Davis' performance, and several of her lines became well-known, particularly "Fasten your seat belts, it's going to be a bumpy night". She was again nominated for an Academy Award, and critics such as Gene Ringgold described her Margo as her "all-time best performance". During this time, she was invited to leave her hand prints in the forecourt of Grauman's Chinese Theatre.
On July 3, , Davis' divorce from William Sherry was finalized, and on July 28, she married Gary Merrill, her fourth and final husband. With Sherry's consent, Merrill adopted B. In January , Davis and Merrill adopted a five-day-old baby girl they named Margot Mosher Merrill born January 6, , [84] [85] after the character Margo Channing.
Davis, after semi-retirement in the mids, again starred in several movies during her time in Maine, including The Virgin Queen , in which she played Queen Elizabeth I. When it received lukewarm reviews and failed at the box office, Hollywood columnists wrote that Davis' comeback had petered out, and an Academy Award nomination for The Star did not halt her decline at the box office.
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She was uncomfortable working outside of her area of expertise; she never had been a musical performer, and her limited theater experience had been more than 20 years earlier. She was also severely ill, and was operated on for osteomyelitis of the jaw. Few of Davis' films of the s were successful, and many of her performances were condemned by critics. The Hollywood Reporter wrote of mannerisms "that you'd expect to find in a nightclub impersonation of [Davis]", while the London critic, Richard Winninger, wrote.
Miss Davis, with more say than most stars as to what films she makes, seems to have lapsed into egoism. The criterion for her choice of film would appear to be that nothing must compete with the full display of each facet of the Davis art.