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For the series 31 finale, creator Paul Unwin returned to write a special episode which was entirely recorded in one take using only one camera, five boom operators and forty microphones. When Casualty returns, it will have a shorter duration time of 40 minutes rather than its usual 50 minutes.
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In December , it was confirmed that Casualty would return on 2 January The series was created by Jeremy Brock and Paul Unwin. From the show's inception to series 26, episode 16, the city exterior was represented by Bristol , [14] including well-known landmarks such as the floating harbour and Clifton Suspension Bridge often visible in outdoor scenes.
Following plans to switch filming to Birmingham , it was confirmed on 26 March that filming of Casualty from would move to a purpose-built studio and backlot set at the BBC Roath Lock studios in Cardiff , South Wales. The first episode from Cardiff, [20] broadcast on 7 January , was an minute episode. Railway scenes are shot on location at various preserved railways, which from the start of shooting have centred around the West Somerset Railway , the Avon Valley Railway and more recently the Barry Tourist Railway.
In May , filming for the premier of series 33 was shot in Bristol and Yate.
The programme has usually been transmitted on Saturday nights, although for a period in the late s and early s it switched to Fridays. The first two series each consisted of 15 episodes; series 3 ran for 10 episodes although one of those episodes was postponed following the death of its guest star, Roy Kinnear ; series 4, 5 and 6 were 12, 13, and 15 episodes long respectively.
The final episode of series 6, which focused on a plane crash, was postponed until February , after being initially scheduled for transmission on 20 December — one day before the 3rd anniversary of the Lockerbie disaster.
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This initially caused some controversy due to the graphic and controversial nature of some of the storylines. Subsequent series each saw an increase in episodes; series 13 ran for 28 episodes, series 14 ran for 30 episodes, series 15 ran for 36 episodes, series 16 and 17 ran for 40 episodes and series 18 ran for 46 episodes. However, this figure was dropped to 42 for series 26, with no summer break, which was related to production moving from Bristol to Cardiff.
Casualty usually runs for 50 minutes between — slot on BBC One. Special events such as the Eurovision Song Contest and sporting events sometimes see the schedule moved around. On most of these occasions, Casualty is taken off-air for the night to make way for alternative shows. It has been known in the past that if an episode is in two parts, part one will be aired on the Saturday and part two on Sunday. Casualty follows the professional and personal lives of the medical and ancillary staff of Holby City Hospital's emergency department.
It features an ensemble cast of regular characters, and began with ten main characters in its first series. A survey published by Radio Times magazine in March found that Casualty has featured more future stars than any other UK soap or drama series.
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As far as I was concerned it was a great episode, a great part. Appearing in Casualty taught me a big lesson in how to be natural in front of the camera. The original title sequence featured a speeding ambulance with flashing lights arriving at casualty with a police escort. A CGI heart monitor was shown over the titles. The 49 second sequence shows the patient's point of view and their journey through the department into resus. The heartbeat turned into electric arcs , possibly as a result of a defibrillator being used as the bed moves around the hospital.
Series 4, in , launched with a new title sequence, opening with an ambulance travelling in daytime. Different activities are then shown, including the ambulance clinicians, hospital equipment, a patient being treated and a blood pressure gauge, all separated by flashes of blue light. The next part of the sequence features new camera shots of the patient's journey into resus. Series 7 from to saw a sequence returning to the original style, with the ambulance coming over the hill and a new heartbeat line moving across the bottom of the screen.
As the ambulance arrives, the staff come out of the department to move the patient to resus. In September Series 8 , the titles were revamped, based on the series 4 style, with the ambulance. Clips showed accidents and the ambulance journey instead of the patient's journey. Whilst the ambulance is being driven, a series of clips are superimposed. The sequence ends with the ambulance arriving at casualty. The Casualty logo flashes up on the screen when the screen blurs out.
The sequence was tinted blue. These lasted until February when series 11 ended. Again September saw a new look, with fragments of glass flying and a sequence utilising footage of medical staff, hospital equipment and patients' relatives. Minor edits were made when these titles were shortened towards the end of for series 13 but they remained essentially the same until series 14 ended in March A more arty sequence appeared in September series 15 , with a fast forward technique, featuring a clock ticking through the night, an airbag deploying, the ambulance, speeding through evening traffic and patients arriving at reception.
The second half of the sequence focuses on a patient being treated in Resus from a bird's-eye perspective. The original theme tune remained, but as the 'September ' shortened version again. A new theme tune marked the arrival of series 16 in September , with a distinct change to the opening titles. For the first time, the focus was on the characters, who were presented posing to the camera against a blurred dark background. The only 'medical' references were the glimpses of an ambulance and a heart rate graphic in the opening seconds of the titles.
The same logo introduced in remains at the end. Series 17, starting in September , saw a return to a generic medical-themed title. The focus was on the international symbol of medical aid, the red cross, shown at different sizes moving around the screen, often filled with footage such as paramedics and a patient being given CPR , against a stark white background. Similarly to the titles of September — June which featured the characters , the logo remained at the end until these credits were replaced in September series The sequence was tinted in a turquoise hue and interrupted by a flashing amber graphic, reminiscent of the heart rate line from the original titles sequence.
Series 21 saw the use of an orchestral-style variation of the theme tune, though this reverted to the previous version used since series Series 26 returned after its Christmas break in January , filmed in high-definition for the first time, to coincide with the move to Cardiff's Roath Lock. A new opening sequence was introduced, reminiscent of the early opening titles, in homage to the show's roots.
The variant of the theme music used since series 16 except series 21 remained in use. On 4 January , the theme tune received a revamp and had a resemblance to the original theme tune.
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The closing credits were a continuation of the new updated theme tune. On 27 August , the 30th anniversary episode and series 31 opener, the theme tune and opening titles received a complete revamp with a darker effect as scenes around the hospital are shown with Charlie being the only character in shot with the opening titles ending with the logo and title cards.
From Episode 13, which aired on 17 November , new titles were used. The theme tune remained the same. The original closing credit music was known for being slightly different from its opening music. It was originally over one minute in length and over the years was shortened. The original music also had a lead in, known for being haunting and emotional.
At the beginning it was not used in every episode. Between series 1—9, it was only used during emotional endings, for example when Duffy was raped and Sandra Mute being killed off. Between series 9—12, it was mainly used to close every episode. In September , the closing theme was moved up a semitone , making the tune even more haunting. The end theme was reduced further in to go with BBC guidelines.
Usage of this tune ended with series 15 in April When the theme tune was updated in , the closing credit music was a shortened version of the opening music. The main change was the lead-in music: two versions were used in the twelve years. Series 21 saw the theme tune being changed for a single series; it was made orchestral and only lasted one series.
When Adam left the series at the end of series 25, a sad piano-based version was used.
It has only ever been used on that one occasion. When the theme tune changed for series 21 in September , the closing credits were essentially a continuation of the opening tune. Dramatic and edgy, it was more akin to the original theme and the current theme. When the series returned in after the Christmas break, the theme tune had received a revamp, more akin to the original. The closing credits had been slightly extended with sections from the original end theme returning, for example the final end notes.
The end lead in music, a short emotional piece building up to the credits, harked back to the original music which was used between series 1— There were a few variations used in episodes between and An emotional version using strings and violin, A version using trumpet and beeps and a much basic sounding version just using beeps, those that sound like medical machinery.